ARTE AFRICANA EM TEMPOS PROFUNDOS: DES-COMPETIÇÃO ESTÉTICA E DES-RACIALIZANDO A ARTE VISUAL

DE NKIRU NZEGWU

Authors

  • Mateus Raynner André de Souza ANATEL
  • Miguel Gally de Andrade UnB

DOI:

https://doi.org/10.13102/ideac.v1i52.12389

Abstract

-

Downloads

Download data is not yet available.

References

ABIODUN, Rowland. 2014. Yoruba Art and Language: Seeking the African in African Art. Cambridge University Press.

AMIN, Samir. 1989. Eurocentrism. New York: Monthly Review Press.

BERNAL, Martin. 1987. Black Athena: The Afroasiatic Roots of Classical Civilization, vol. 1. Rutgers University Press.

BONILLA-SILVA, Eduardo. 1997. “Rethinking Racism: Toward a Structural Interpretation.” American Sociological Review 62: 465–480.

BUCK-MORSS, Susan. 2009. Hegel, Haiti, and Universal History. University of Pittsburgh Press.

CANNIZZO, Jeanne. 1989. Into the Heart of Africa. Toronto: Royal Ontario Musuem.

DANTO, Arthur C. 1988. “Artifact and Art.” In ART/Artifact: African Art in Anthropology Collections, edited by Susan Vogel, 18–32. New York: Center for African Art.

DIOP, Cheikh Anta. 1991. Civilization or Barbarism: An Authen- tic Anthropology. Brooklyn, NY: Lawrence Hill Books.

DUSSEL, Enrique. 1995. The Invention of the Americas: Eclipse of “the Other” and the Myth of Modernity. New York: Continuum.

______. 2000. “Europe, Modernity, and Eurocentrism,” Nepantla: Views from South 1: 465–478.

EZE, Emmanuel Chukwudi. 1997. “The Color of Reason.” In Postcolonial African Philosophy: A Critical Reader, edited by Emmanuel Chukwudi Eze, 103–140. Cambridge, MA: Blackwell.

HARRIS, Cheryl I. 1993. “Whiteness as Property.” Harvard Law Review 106: 1707–1791.

MILLS, Charles W. 1997. The Racial Contract. Cornell University Press.

______. 2008. “Racial Liberalism.” PMLA 123: 1380–1397.

MORTON, Eric. 2002. “Race and Racism in the Works of David Hume.” Journal on African Philosophy 1: 1–27.

NZEGWU, Nkiru. 2002. “O Africa: Gender Imperialism in Academia.” In African Women and Feminism: Reflecting on the Politics of Sisterhood, edited by Oye` ro ́ nke ́ Oyeˇ wu` m ́ı, 99– 157. Trenton, NJ: Africa World Press.

______. 2018. “‘When the Paradigm Shifts, Africa Appears’: Reconceptualizing Yoruba Art in Space and Time,” review of Yoruba Art and Language: Seeking the African in African Art by Rowland Abiodun. Journal of Art Historiography 19: 1–29.

OBENGA, Théophile. 2004. “Egypt: Ancient History of African Philosophy.” In A Companion to African Philosophy, edited by Kwasi Wiredu, 31–49. Malden, MA: Blackwell.

QUIJANO, Anibal. 2000. “Coloniality of Power, Eurocentrism, and Latin America.” Translated by Michael Ennis. Nepantla: Views from South 1: 533–580.

RUBIN, William. 1984. “Primitivism” in 20th Century Art: Affinity of the Tribal and the Modern (vols. I & II). New York: The Museum of Modern Art.

VOGEL, Susan. 1988. “Introduction.” In ART/Artifact: African Art in Anthropology Collections, 11–17. New York: Center for African Art.

YAI, Olabiyi Babalol. 1993. “In Praise of Metonymy: The Con- cepts of ‘Tradition’ and ‘Creativity’ in the Transmission of Yoruba Artistry over Time and Space.” Research in African Literatures 24 (4): 29–37.

Published

2025-11-24