Hospício é deus: a diferença na repetição de Maura Lopes Cançado

The difference in Maura Lopes Cançado’s repetition

Abstract

In her work Hospício é deus - diario I, Maura Lopes Cançado (1929-1993) recreates herself as a character in the narrative of herself, intensifying herself in the deviation that materializes in the transgression of repetition. In the mask of self-writing, Maura outbreaks up herself as character, becoming difference, pulsation of infinity. Thus, way, Maura's narrative is understood not as a work of language, but surely as literature. Far from producing recollections or reports, Maura becomes the very void of language. In a critical reading in relation to the diary of this mine writer, performing raids on different theoretical bases, the purpose of this paper is to think about the role of repetition in Maura's writing as a project of subversion of representation, because, thought in terms proposed by Deleuze, her autobiography should be understood as a repetition of the different.